How To Counterfeit
Albert Hsueh
Writer's comment:
Studying within the English undergraduate program at Davis, I have
written many essays analyzing novels I’ve been assigned. But in English
104C (Journalism) we were given free reign in terms of our chosen
subject matter. I’d long been yearning to write an unorthodox piece,
something different from the archetypal essays of thematic analysis.
Around the same time, the California Aggie printed an article
describing the controversy over fake drivers’ licenses. The article was
brief and included no information on the process of producing the ID’s.
I knew that one of my good friends had a background in counterfeiting,
but we had never discussed the subject in depth. I contacted him, and
we agreed that the subject had great potential , especially if the
article specified the basic procedures of counterfeiting. I began my
interviews with him and from there I converted his stories into the
essay. I was briefly worried that the article would be too risky or
deviant to turn in, but then realized it was the unconventional piece
I’d wanted to write for so long. I owe a great deal of thanks to my
friend, who was flexible enough to share his secrets.
—Albert Hsueh
Instructor's comment: As
Albert says in his introduction, I give students “free reign” in
choosing subjects for their articles in English 104C (Journalism).
While good writing is a necessary qualification for a successful
article, it is not a sufficient one. The journalist needs above all to
find a story worth telling. Albert found such a fascinating story in
the tale of “Grayson Boucher,” high school counterfeiter, and he wrote
the story well.
I
n 2001, Grayson Boucher* would rise from his bed every morning to print
out a handful of fake twenty-dollar bills. From there he’d stop by gas
stations and various businesses to make small purchases, receiving
change from the bills he gave the stores. Clothes, jewelry, and other
such accessories accumulated in Boucher’s home, and he laughed at how
easily he had attained them. For months he’d been producing bills,
approximately one thousand dollars’ worth a week. If he had pleased, he
could have printed bills all night and “earned” thousands in a week.
The Beginning
Boucher is now a third-year undergraduate at the University of
California, Davis, studying mechanical engineering. He is tall and
blonde, with a confident and witty demeanor. He speaks sensibly, never
revealing an irrational or reckless personality. Reminiscing on his
senior year at high school, Boucher says, “I can’t believe I was crazy
enough to pull that kind of stunt. But I was rather unclear of the laws
and penalties surrounding the act of counterfeiting, so I kept on with
my activities.” Boucher first conceived the possibility of
counterfeiting late in high school. Though he was not frustrated with
his job working at a car audio shop, Boucher wanted more money with
less labor. Out of curiosity, with no real intentions, he began
searching the internet for information on counterfeiting practices.
These searches led him to an enormous forum of experts, many revealing
precise details of basic counterfeiting procedures. “I was able to find
hundreds of different articles on the field—it was incredible,” Boucher
says. “The internet gives everyone a voice—including criminals. It’s a
bit disturbing that any child with internet access could get to this
sort of information, but that’s the enormity of the World Wide Web.”
Boucher immersed himself in the counterfeiting information, realizing
how basic the process could be.
The Process
Counterfeiters, according to Boucher, use four main methods.
Surprisingly, three of these involve only a computer, a scanner, and a
certain type of printer. The most basic and rough method uses an inkjet
printer. “The inkjet style is satisfactory if you’re not planning to
produce a large number of bills,” says Boucher. “At first glance, and
even after brief inspection, it’ll look realistic, but if the bill is
rubbed hard, the ink will smear and reveal its forgery.” Boucher used
the inkjet method early on but was caught by a sharp-eyed attendant who
marked the bill with a counterfeit detector pen. The pen’s line showed
black, indicating a suspect bill. The attendant also noted the bill was
missing the government-issued strip marking its authenticity. “I just
acted utterly confused towards the clerk,” Boucher says. “I tried to
seem more confused than he was and kept saying I just withdrew the bill
from an ATM machine.”
A very efficient but not fool-proof method uses a laser
printer. “Laser printers are better than inkjet printers,” says
Boucher. “The ink is injected into the paper with a laser, so there is
no possible smearing on the bill, as opposed to the inkjet process.”
The process is as simple as scanning the sides of the bill and printing
them out. If the scanner used is a high-quality one, the image will be
nearly duplicated in Adobe Photoshop. On some occasions, a tinkering
process will be necessary, mainly to refine the precision of the bill’s
color. Other times the bill being scanned may have blemishes, which can
easily be brushed up on Photoshop.
After the image of the bill is perfected, it needs to be
printed on paper with a texture similar to that of actual bills. Every
bill of American currency is produced on thin strips of Levi’s Strauss
fabric, the same fabric used in producing Levi’s Jeans and other
products. Access is restricted for the exact fabric used in currency
production, so a substitute paper must be used. Boucher’s research led
him to use silk paper, a very fine but sturdy paper. “The texture has a
thickness compara-ble to actual bills,” Boucher says. “The printed
bills come out crisp and brand new, so I crumple them and rough them up
to achieve a worn look.”
The problem with laser printers is that they cannot
repli-cate the government-issue strips, as is also the case with inkjet
printers. So Boucher began to implement a more effective process, one
which would print the bills to include the government-issued strips.
The procedure required the use of a dye-sublimation printer, a
semi-rare type. Sublimation is a chemistry term describing the process
of a solid turning into a gas. With the dye-sublimation printer, the
dry ink is vaporized into a gas, which seeps into the paper and
re-solidifies as it’s printed. “This process removed any possible ink
smears,” Boucher explains. “All I was required to do was tinker with
the brightness and contrast of the scanned bill. Photoshop allowed me
to perfect the exact appearance of the bill.” For the semi-invisible
strip, Boucher had to tinker with his nearly finished bill. It already
looked authentic, but an extra few minutes would add the
government-issued strip. Using pear-lex powdered paint, Boucher would
carefully dust over the section where the strip would be placed. He
would then revert back to the original file of the bill and delete
everything, leaving only the government strip. He then sent the bill
through a second printing process which vaporized the pearlex paint
into the bill, making the government strip holographic and transparent
on both sides. The paint accomplished the “hid-den” aspect of the
strip, and was practically authentic to the naked eye. As a final
touch, Boucher blow-dried the excess pearlex paint that was dusted on
but not used for the printing of the strip. “I used the dye-sublimation
procedure throughout my brief counterfeiting career,” Boucher says. “I
never had a single person hassle me about those bills. After a while I
for-got I was even using fake bills.”
The fourth process, though practically never used, uses the
Xerox color copier. Xerox is the superior photocopier, but the machines
cost up to tens of thousands of dollars each, and businesses such as
Kinko’s or Mail Boxes Etc. are required to register each of their
printers with the government. In addi-tion, a microscopic inscription
of the copier’s serial number appears on every copy, allowing officials
to trace any item printed on one of these copiers back to its source.
All of these precautions have deterred counterfeiters from using the
Xerox method, which is by far the most effective procedure for
counterfeiting.
Time for Shopping
The money piled up quickly, as Boucher began printing bills with
reckless abandon. “At first I’d be very careful, just buying a candy
bar with a twenty-dollar bill,” Boucher says. “My pa-ranoia began
washing away as the weeks went on. I re-member one time being so
impatient, I just bought a dashboard monitor for my car with nearly
$1,000 in fake twenties.” Boucher piled up as many toys as he could
without his parents growing suspicious—hundreds of DVDs, CDs, books,
posters, sports memorabilia, alcohol, clothing, and jewelry. “My
par-ents assumed I was still working part-time at the audio store,” he
says. “A few times they asked if I was overspending, but I told them I
had a large amount saved up.” Boucher rarely made outlandish purchases,
and when he did the items re-mained hidden. “I have a $2,000 Omega
watch that my par-ents have never seen,” Boucher says. “I also have a
gold necklace and a few other things.”
Life was rather enjoyable for Boucher at that time. He would
regularly bring a dozen friends to the theater, paying for all their
tickets. They’d also walk in with alcohol and gourmet foods hidden
beneath their clothes. “With my closest friends I always bragged about
the counterfeiting,” says Boucher. “With other friends, I’d just say my
dad got a huge promotion and began giving me a generous allowance.”
Recreation
Boucher ate out at fancy restaurants, attended all types of concerts,
watched various Bay Area sports teams, and one time financed a plane
trip to Mexico for a weekend excursion. He told his parents that he was
sleeping over at a friend’s for the weekend. “I’ll never forget the
Mexico trip,” Boucher says. “Funny I say that, because I barely
remember any of the actual moments. My friends and I were in a
perpetual state of drun-kenness. I threw around fake bills with no fear
at all. The locals never bothered any of us.”
On many weekends Boucher would rent out a couple of hotel rooms
and set up enormous celebrations. He purchased huge amounts of alcohol
and marijuana, and invited dozens of guests to the festivities. “A few
times I arranged for a performance of some sort,” Boucher says.
“Strippers came through, as did a magician and a clown. I remember the
stripper being so overjoyed when I flipped her a bunch of bills. My
entire lifestyle was just ludicrous for an 18-year-old.”
Burnt Out
Boucher became accustomed to buying the newest accesso-ries, and the
counterfeiting became routine. He continued to print fresh bills on a
daily basis, always prepared to pay. On one weekend night, he was on a
private dinner date at a lux-urious restaurant, looking forward to a
quiet and romantic meal, but constantly receiving calls on his cell
phone from friends or acquaintances, wanting things. Some wanted to go
to a concert, some wanted to go to the movie theater, some just wanted
alcohol. None were planning to pay. Boucher was being called every few
minutes for ridiculous requests, and so he shut off his cell phone. “I
set down the phone, roll-ing my eyes, thinking of the demands,” Boucher
says. “Then the girl started asking me if we could go to the shopping
mall. I think I winced, but then I excused myself to use the
re-stroom.”
Boucher washed up and collected his thoughts. “I was basically
supporting my friends and a whole bunch of ac-quaintances,” Boucher
says. “I thought I was being cool or friendly, but I realized that most
of the people were just leech-es.” That included the girl he was on the
date with. Boucher returned to his seat and relaxed himself. Their
meals were nearly done, and a few minutes passed before the waiter
placed the bill on the table. The girl was in the middle of a lengthy
monologue and her eyes reacted to the bill, but she continued her
discourse. “I asked her if we could split the bill,” Boucher says. “She
gave me a dumb-founded look.” In confusion, she stuttered, “I . . .
aren’t you . . . going to pay?” Boucher smirked. “Weren’t you the one
that suggested this place? The total is $50— that’s pretty steep.” The
girl quietly admitted she had not brought any money.
After that night, Boucher quickly changed his mentality,
decreasing his production and rejecting random money re-quests. “I
started restricting my spending, only going to pricey events with my
close friends,” Boucher says. “Instead of going to every concert or
every basketball game, I began choosing only the hyped-up ones. The
same went for elec-tronics or DVDs and CDs—I only bought the most
important ones.” Boucher had already accumulated numerous worth-less
items, and he no longer felt the need to own everything. “I started
being really conservative with my money,” he says: “I made sensible
purchases only, and soon realized that I didn’t even need to print
bills anymore!” He realized that he did not need any money to enjoy
himself. The jewelry, the cloth-ing—none of it was important for his
fulfillment.
Boucher returned to a more stable lifestyle, increasing his
studying time. Upon his acceptance into UC Davis, he prom-ised himself
he would never print another bill. “The stakes were too high,” he says.
“I couldn’t risk ruining my life; I had too much to look forward to.”
One day in his freshman year, Boucher was chatting with some
new friends in his dormitory lounge. The discussion was lively, every
participant racing to say something cool about whatever topic was being
addressed. Someone was talking about fake IDs, and Boucher piped in: “I
used to do a bit of counterfeiting.” A boisterous peer shrugged him off
and said “Whatever, man, it’s hella impossible to do that!” Boucher
remained silent as the discussion rose again, smiling to himself.
“Maybe I’ll take these guys out sometime,” he thought. “Somewhere
pretty nice, and I could pay for it . . .” And then he laughed to
himself and brushed away the thought.