FACES IN THE MIRROR
Lisa Lee
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Writer’s comment:
This essay, written for English 18 (Style in the Essay), explores how
beauty, skin deep or not, saran-wraps the wearer, encasing his
humanity, his anxieties and assertions—his life tokens—in an airtight
seal of confidentiality. The essay also tries to relate the fact that
sometimes, beneath the appearance of beauty, there lies a crippled
genius or reluctant philanthropist; there sometimes hides someone
betrayed and ashamed. Indeed, it is important for all of us to
recognize that beauty does not always heal—often, it merely camouflages
a festering wound.
- Lisa Lee
Instructor’s comment:
The assignments for my English 18 (Style in the Essay) class are rather
open-ended to allow students to discover what their experiences mean to
them and what they could mean to a reader. I urge the students to avoid
cramming their experiences into neat packages, with a tidy conclusion
about what it all means. In this piece, Lisa conveys her own sense of
confusion about her grandfather and her heritage. Each time I read
“Faces in the Mirror,” I see more of its complexity; the densely packed
details of sight and smell reverberate through the piece. Lisa has a
talent for using a few small details to quickly render her family
members, and yet the central character of her grandfather remains an
enigma, despite the details devoted to him. Lisa does a wonderful job
of evoking the mysteries of her grandfather’s life in a way that
reminds us of how impenetrable the experiences of our parents and
grandparents are.
- Jared Haynes, English Department
Your grandfather was a real and true war
hero. Nothing could bring him down—not bullets, not the damned Viets,
not even bombs could stop him. He was a real fighter—bulletproof, I
think he was.
It was August—time for the yearly trip to
Grandfather’s place in Fresno. It was in the middle of summer, and you
always got the sensation that you were slowly baking underneath the
soft canopy of the car while the trees whizzed by effortlessly. My
mother opened the compact to check if her mascara had not strayed
during the sweaty drive through the city. Though we were parked
underneath the shade of the leaning oak by the driveway, the sweat
still beaded hesitantly on her upper lip. She blotted it with her
sleeve.
“If he had not caught the TB in Vinai, they would’ve let him
come with us on the helicopter to America. He almost didn’t survive the
operation, you know...”
She reapplied her lipstick with one quick red, waxy swipe,
making a fierce face in the rearview mirror-like the chimpanzees did at
the zoo when they wanted more cookies.
“...But he’s a tough one, that rascal...they had to put 22
stitches just to close him up because he still had the bullets inside
of him. I like to think that his toughness runs in the family, don’t
you think?”
It was all true: my grandfather did fight in the Vietnam
War-actually, he fought in many wars—he probably devoted his entire
life to dramatic military execution, but he didn’t like to talk about
it voluntarily. He retold his experiences all right...down to the last
grimy detail, only if you were fighting alongside him at the time, or
got him drunk-whichever came first.
If my grandfather had devoted his life to war, then my mother
devoted her life to preserving his valor. As a child in the dense
jungle of Laos, she saw his every move: his friends, his allies, hurts
and losses. He would move them from place to place-often before
daybreak-to escape detection from spies and traitors. Often, my mother
was still asleep and he had to carry her along with a cloth bundle
while running through the wet, black jungle.
My mother remembers one sunrise atop a mountain where she sat
upon his massive shoulders, legs dangling around his neck like vines
and sleep still curled in her eyes, and saw for the first time the
damage done to her village and other villages like hers. She wasn’t
sure if it had been Agent Orange or DDT (she’s never wanted to know for
sure) but where the land lay barren and sickly, she could only describe
it as resembling the aching bald spots on a very sad old man. They were
all alien and strange to her now...as if she had been taken to live on
the moon.
Sometimes I wonder why she takes me to see Grandfather—every
time we visit, all he wants to talk about is the war and how horrific
and terrifying it was. As if she needed to remember. She never talks
about it unless we’re here, anyway...Personally, I think that she’s
just checking to see if he’s still alive, or at least to see how much
longer he has left. I thought, maybe-just maybe-she was hoping that
with his death, the memory of a decade spent in fear would also pass
away.
She was old now: her black hair had been permed and now,
curly strands of silver slid out from the undergrowth of her bouffant.
She had a habit of rubbing her earlobes when she was bored and coughed
dryly when she was annoyed. And she was always making the strangest
faces in the mirror-checking for lipstick stains on her teeth or for
wandering blue eyeliner.
“Now remember, you should always look good and smell good for
any occasion, you hear me? People will never remember you for your
mistakes as much as they remember how good you looked. Remember that
and no one will ever make fun of you for looking like an
Asian-immigrant fresh off the boat-Disgusting things.”
Mom coughed dryly and stepped out of the car and walked to
Grandfather like a column of water-her dress rippling and flowing
gracefully around her ankles; she had enough poise and elegance to kill
a New York socialite. She had this ritual: she’d greet him at the door
and lightly shake his heavy palm with both hands (he always managed to
look slightly confused every time) and ask, “How are you doing,
Father?” in the most polite voice. Then, they’d start walking in and
she’d flip around and motion me to come inside, too.
Inside, they would sit on the ancient sofa-the color and
texture of old, velvety cheese-of course, my mother always discreetly
swept the seat with her hand before sitting down. Then they talked
about how horrible the war was and “remember when’s” and “whatever
happened to you know who’s” would flutter about like flies-discussing
miseries and triumphs in a strange, clucking language that pushed me
far from comprehension. There, on the couch, she listened intently
while he flung his arms wildly to emphasize what I could only imagine
to be powerful explosions in the story-his fingers flinging shrapnel
and ancient sockets groaning with the intensity of the action.
Rather than leave, I was seduced by this strange dance: the
way his body swung in time to his shouting voice, his throat quivering
like a turkey neck with each jubilant (or angry?) word; and she would
nod her head to his spasmodic rhythm, shaking one leg to keep the beat
of the conversation while she stared at his cavernous, edentulous
mouth. I felt like I was the sole witness of an alien culture no one
else had ever seen.
I imagined worlds being created and destroyed simultaneously
as his leathery palms circled the air. I followed where his thick
fingers pointed: the walls adorned with tarnished black and white
photos, metallic medals hanging on purple and blue cords, dead flowers,
incense. I also watched my mother bobbing her head like a pigeon, and
wondered if she was really listening, or if she had heard this story
before.
She had photos of him-before and after shots of his
bullet-torn face and body, a dichotomy of a man that seemed
supernatural. The surgery was supposed to heal the serrated pieces of
flesh where stray bullets had slashed and exploded within; he looked
like a chewed animal after the surgery. She got angry at me last year
when I found the photo album stashed away in the corner of her
closet-she had discovered me looking at them and slapped me, telling me
never to do it again as I recoiled in shock.
Seeing him in person, I could understand why it hurt her so
much to have the pictures in the first place. But if I was denied that,
then at least I should’ve been allowed to understand what they were
saying.
My teenage uncles (who lived with him at the time) often
tried to translate it for me, but even their interpretations eluded me.
“You know...”
Uncle Rick’s voice would squeak just a little bit as he handed
me my Flintstone vitamin, his younger brother Esau lifting barbells by
the kitchen table.
“...In our language, there’s no word for ‘goodbye’ since we figure that we’ll probably see each other again.”
“Then what do you say if you are leaving?” I’d ask.
“You just say ‘kuv yog pais’-which is the equivalent.”
“But if you say that, you’re not really saying
goodbye...you’re just saying ‘I’m leaving’. Wouldn’t it be easier to
just say ‘goodbye’?”
Rick would sigh and give me a scholarly look.
“Cause dearie, that’s English-dad doesn’t understand English,
and as far as I know, you don’t need any more help in that department
either, do you?”
“I guess not...but then, what does my mom usually say before we leave, huh?”
He closed his eyes as he chugged his Power Man Drink and then
compared his bulging biceps to the blonde gladiator smiling on the can,
and sniffed, “She says ‘goodbye’ just like everyone else...and that’s
my point, you know what I mean?”
The profundity of his knowledge was more than I could
take-really. I had expected a cultural revelation, but instead, I got a
koan. My uncles also mentioned that my mother had been teased in Hawaii
for looking like a chink, but oddly enough, no one had ever done that
to them when they were in junior high. They said that it was probably
because they looked so tough.
Sometimes after I had taken my vitamin, I would sit on the
stairs to his apartment and watch all the cars zooming by-the heat
making dizzy waves of color on the boiling street below: red topless
sports cars, gray vans rumbling with sweaty children, ghostly school
buses, and sleek silver sedans with stoic businessmen staring straight
ahead. I would sit there and wonder if any of them already knew how to
demystify their parents, grandfathers, and uncles-where the old man
used to live, why my mother spoke Hmong to him alone, and why my uncles
wanted to move far away for college and drink sodas that turned them
into blonde Vikings with bulging biceps.
The summer before he died he took me to the bathroom to show
me how to shave. I told him that I wasn’t planning on growing a beard
anytime soon, but he just nodded and smiled as he lathered his face
with cream and spoke to me in husky broken English.
I watched him as he carefully cut the hairs around his
slackened jaw, around the deep scar on his right cheek, and scraped the
tiny Hitler mustache under his nose. He then wiped away the cream with
one professional swipe of his towel and picked away at the small white
remnants in the open trench with a moistened cotton swab.
The scar was like a river on his face: it ran deep and purple
form the corner of his eye to the curl of his lip and was
crescent-shaped, and the puckered banks were pink and shiny like chewed
bubblegum. I saw a dark village on a sweaty moonless night and green
men in the trees with guns and white-hot stingers that sparkled like
firecrackers from the vernal blanket. I heard their voices buzzing like
mosquitoes-incomprehensible-and their feet surfing the mud; and deep
within a straw hut, I heard my grandfather trying to wake my mother,
telling my uncles that everything would be okay as the jungle shook
them awake with orange starbursts and thunder.
Had it been a machete or a bayonet? Or just a man shooting in the dark?
“You like?”
The scar was plump and swollen with water, but completely
hairless. A droplet of blood leaked from the cheek and swan down to his
chin-a small razor nick, nothing else.
“I good-looking, huh?”
I nodded in agreement.
He pointed to the blue bottle of aftershave: “Winter
Mountain.” He opened it to let me smell it-I had no idea that mountains
could smell so putrid. I must’ve made quite a face because he smiled
and pushed it behind the mirrored cabinet, pulling out instead, a small
rectangular bottle from under the sink.
It was green and less pungent-almost sweet smelling, evoking
misty outlines of pines in balmy fog, and made me dizzy with its
delicacy. It could’ve been absinthe served to an artist in the French
Riviera on a lazy Sunday or the extract of a rare exotic flower no
longer found, but the silver label was distinctively written in languid
Chinese script.
I watched him shake some onto his leathery palms, and splash
it onto his face-it made a diaphanous glaze over his scars and dripped
down his wrinkled neck in large globs, spotting his old shirt. As he
felt the alcohol penetrate his raw skin, he squinted and grimaced, his
jaw flexing in pain. For a second, I had remembered my mom’s lipstick
face-besides toughness, I hoped that making weird faces was not also
hereditary.
“You try?”
He put the bottle in my hand and touched my face to make sure I understood.
It burned! I screamed for water-as though it would put out the
fire on my face. He picked up the towel but saw that it was still
covered in hair, cream and blood, and dunked my entire head into the
sink, and laughed when he pulled me out, sputtering and coughing like a
drowned cat. I was drenched, wet, and sobbing-but I smelled like sweet
pinecones-which, as my mother told me everytime we came over to visit,
was all that mattered.
“You brave girl...” he chuckled, wiping me off with a clean towel.
When my grandfather died, my parents took me and my sister to
his funeral in the Hollywood Hills. Although his body lay cold and
thick inside the little white church, I was elsewhere: I went to sit
under one of the crooked elms by the black and gray headstones and
sketched in my notebook. I drew the solemn crosses and stone angels
that were dappled in the green light of the trees. Though I thought of
him lying in his casket with his livid lips slightly pursed as if in
thought, I didn’t want to remember him that way. I drew the luminous
angels that sat with their feet dipped in the sculpted clouds, smiling
as I thought about how long I had wished to understand what he talked
about so feverently.
Also, I didn’t want to be inside the church with its little
white walls, listening to the speech my mother had prepared; she had
rehearsed it nonstop as we took the I-5 down to Los Angeles. I had
listened to her practice her tone and watched her making sad faces in
her mirror for five hours.
I don’t remember what year or what time of day he died. I
only remember the stone angels glowing like moonstones under the
effervescence of daylight. I don’t think that I was trying to deny that
he had died. I don’t know if my mother delivered a perfect eulogy. I
don’t know if my uncles picked at their itchy wool pants during the
service. I do know that I had been upset that I had not found all the
answers that I had been looking for-I had not demystified him. He was
still an enigma, and I was empty; knowing that he was already dead made
me angry with myself for not understanding him in time. I had lost my
chance to know him.
My mother cried at his funeral. She brought an entire box of
tissues to wipe the streams of black mascara flowing from her eyes.
Everyone said that her eulogy was beautiful, and perfect, and kind,
even though by the end she looked like the creature from the black
lagoon.
After he died, I read as much as I could about the war and I
learned all about My Lai, Communism, Agent Orange and DDT, and about
sea pirates. I took a class called “Hmong for Native Speakers” and I
finally learned how to speak my language. I’m even better than my
uncles-both who went far away for college, and now live with their own
wives and children. Both have stopped wishing for blonde hair and
biceps and have settled for receding hairlines and love handles.
My mother? She’s still quite deft with a tube of Revlon
lipstick, and she still makes faces when she puts it on, but she has
finally stopped perming her hair. She also took my advice to skip the
blue eyeliner-it was too dated, too disco, anyway. Instead, now she
dyes her hair black every couple of months and wears sweatpants when
she meets family.
And I have my own bottle of Grandfather’s green aftershave in
my room. He never made a will, but he gave us small personal items
before he died: wedding bands, enameled animal figures, silver dowry
bars, and countless photos and legal papers. Of course, I got the
aftershave-which I don’t use on account of the first time I put it on,
but I like to open it every once in a while just to remind me of how
funny I looked with my black hair stringy and wet and stuck to my
forehead; it makes me remember how his eyes twinkled as he rubbed the
towel against my face to lift the hair off my eyes. That was some
shaving lesson.
Even to this day, I sometimes feel that I have not completely
understood the things that my grandfather did-the influence that he had
on history, my family, and on me. Without him here, I cannot truly say
that all that I have heard about him really happened; I suppose that
was what caused the feelings of emptiness at his funeral. I felt like I
was his final witness, but sometimes I forget that he even existed.
While sifting through old National Geographicmagazines
at the library for a Humanities project, I came across of photo of his
gravestone: his portrait smiled stoically from the dark granite and for
a second, I wondered how they had gotten this photo. Did my mother know
about this picture-had she taken the photo herself and continued her
mission to publicize his valor as a war veteran and hero? She was the
one who delivered the eulogy at the funeral, wrote the brief biography
on the gravestone, bought the flowers...could she have also done this?
I suppose I should ask her sometime, and maybe she’ll finally pull out
the hidden photo album and tell me why her history was so forbidden.
On the right of the photo, there was a paragraph written in
italics-it was the dedication that had been written by my mother and
uncles: “a grave of a dedicated soldier and general who served the
American CIA during the Vietnam War, a loving father who lost three
children and a beautiful wife in the struggles of war but learned to
survive in a foreign nation despite his sacrifices. May his glory live
on forever as his soul rises up to Heaven.”